Showing posts sorted by relevance for query campbell. Sort by date Show all posts
Showing posts sorted by relevance for query campbell. Sort by date Show all posts

2013/03/02

Joseph Campbell and The Power of Myth

Intro to Campbell, via Esalen 

If I have a hero, it's Campbell. Thank you for enriching my moments.



http://billmoyers.com/series/joseph-campbell-and-the-power-of-myth-1988/


In this classic PBS series, renowned teacher and storyteller Joseph Campbell joins Bill Moyers in exploring the meaning myths have in our daily lives. Each of the six episodes –”The Hero’s Adventure,” “The Message of the Myth,” “The First Storytellers,” “Sacrifice and Bliss,” “Love and the Goddess,” and “Masks of Eternity” — focuses on a character or theme found in mythologies of various cultures and religions. In his lively discussions with Moyers, Campbell argues eloquently that these timeless archetypes continue to exert a powerful pull on our unconscious. Released in 1988, The Power of Myth was one of the most popular TV series in the history of public television, and continues to inspire new audiences.
Text pulled in part from the Joseph Campbell Foundation
------------
http://jungland.narod.ru/Library/CampMoye.htm

Joseph Campbell and The Power of Myth

Intro to Campbell, via Esalen 

If I have a hero, it's Campbell. Thank you for enriching my moments.



http://billmoyers.com/series/joseph-campbell-and-the-power-of-myth-1988/


In this classic PBS series, renowned teacher and storyteller Joseph Campbell joins Bill Moyers in exploring the meaning myths have in our daily lives. Each of the six episodes –”The Hero’s Adventure,” “The Message of the Myth,” “The First Storytellers,” “Sacrifice and Bliss,” “Love and the Goddess,” and “Masks of Eternity” — focuses on a character or theme found in mythologies of various cultures and religions. In his lively discussions with Moyers, Campbell argues eloquently that these timeless archetypes continue to exert a powerful pull on our unconscious. Released in 1988, The Power of Myth was one of the most popular TV series in the history of public television, and continues to inspire new audiences.
Text pulled in part from the Joseph Campbell Foundation
------------
http://jungland.narod.ru/Library/CampMoye.htm

2014/06/02

mad men

"Individual consciousness is only the flower and the fruit of a season, sprung from the perennial rhizome beneath the earth; and it would find itself in better accord with the truth if it took the existence of the rhizome into its calculations. For the root matter is the mother of all things." ~CGJung, Symbols of Transformation 

 Michael Ginsberg, shaman:



The Monolith
So there's Ginsberg, crouched in the hallway, watching the new post-Don Corp handlers' lips. The scene is a recreation of HAL the computer in 2001 (the movie) watching the astronauts as they plot to turn him off. So it is with Ginsburg, who sees himself as the human Creative that's now in the process of being destroyed by the HAL AI: the computer and its minions.

And just as Van Gogh presents his ear to his beloved, Ginsberg gives his nipple.
 desire is holy ~DHLawrence

We're mammals, after all.

The stakes have changed, grown beyond the personal to the collective. In the world Ginsberg is born into (a concentration camp), the monsters were mechanized warfare and genocide, and its father, Hitler, a Vader-like half machine. Its ideology was a perverted self-serving "creative" reverting back to the omnipotent bachelor Father ubergod archetype the Nazis loved so well.

The crisis is the realm of the Mothers, the true creative -- the feminine--



and Don is coming to the same conclusion.

2001 was the 60's take on the future, a movie projecting growth as cosmic transformation. And now, (monolith!) we have Transcendence... where the feminine is restored to the garden/godhead. (Asherah and Yahweh, together again, Michael Ginsberg! You were heard!* )
* extra credit: Behind the figure of Aphrodite there clearly stands the ancient Semitic goddess of love, Ishtar-Astarte:
http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9633666&fileId=S0009838814000822

lead------------> gold
alchemy is about transformation

Never lose sight of Don's monumentally abusive childhood. Given an escape, he becomes the glistering success publicly celebrated by our winner-take-all Patriarchy. He finds it wanting. Empty. Empty of the feminine force, the source of the creative.
Feel the pain, the growth (often born of failure), the hope as we stand on the cusp of change with him.
How brilliant, his many female psychopomps. They are the keys here. Anna, like a fairy godmother. Diana, escaping the same hell-bent hate-feeding flames of fundamentalist religion that Don knew. Hard, dealing with a god who lets us die.
This is the hero's journey, eternal and always changing. A mitotic dance, the opposites as they pull apart, re-partner, create the next stage. The all important and unappreciated creative.

We don't need Freud here, so much as Jung and Joseph Campbell:
Madmen even included a subtle, oblique homage to Campbell a few seasons back when the main character, Don Draper, started journaling, swimming at the New York Athletic Club – Campbell did 44 laps in the pool there every day – and moved into an apartment at 6th and Waverly, the building where Joseph Campbell and Jean Erdman lived for over four decades ~on Joseph Campbell, via facebook
*****




Schopenhauer, in his splendid essay called "On an Apparent Intention in the Fate of the Individual," points out that when you reach an advanced age and look back over your lifetime, it can seem to have had a consistent order and plan, as though composed by some novelist. Events that when they occurred had seemed accidental and of little moment turn out to have been indispensable factors in the composition of a consistent plot. So who composed that plot? Schopenhauer suggests that just as your dreams are composed by an aspect of yourself of which your consciousness is unaware, so, too, your whole life is composed by the will within you. And just as people whom you will have met apparently by mere chance became leading agents in the structuring of your life, so, too, will you have served unknowingly as an agent, giving meaning to the lives of others, The whole thing gears together like one big symphony, with everything unconsciously structuring everything else. And Schopenhauer concludes that it is as though our lives were the features of the one great dream of a single dreamer in which all the dream characters dream, too; so that everything links to everything else, moved by the one will to life which is the universal will in nature.
It’s a magnificent idea – an idea that appears in India in the mythic image of the Net of Indra, which is a net of gems, where at every crossing of one thread over another there is a gem reflecting all the other reflective gems. Everything arises in mutual relation to everything else, so you can’t blame anybody for anything. It is even as though there were a single intention behind it all, which always makes some kind of sense, though none of us knows what the sense might be, or has lived the life that he quite intended. ~Joseph Campbell - The Power of Myth, with Bill Moyers

----------

mad men

"Individual consciousness is only the flower and the fruit of a season, sprung from the perennial rhizome beneath the earth; and it would find itself in better accord with the truth if it took the existence of the rhizome into its calculations. For the root matter is the mother of all things." ~CGJung, Symbols of Transformation 

 Michael Ginsberg, shaman:

2012/10/20

Joseph Campbell: Thou Art That

http://www.goodreads.com/work/quotes/314907-thou-art-that-transforming-religious-metaphor

+++++++++
http://themoonsfavors.blogspot.com/2012/09/tat-tvam-asi.html

Tat tvam asi

Joseph Campbell was fond of asking Schopenhauer's question, found in his essay On The Foundations Of Morality: "How is it possible that suffering that is neither my own nor of my concern should immediately affect me as though it were my own, and with such force that it moves me to action? ... This is something really mysterious, something for which Reason can provide no explanation, and for which no basis can be found in practical experience. It is not unknown even to the most hard-hearted and self-interested. Examples appear every day before our eyes of instant responses of the kind, without reflection, one person helping another, coming to his aid, even setting his own life in clear danger for someone whom he has seen for the first time, having nothing more in mind than that the other is in need and in peril of his life..."

Schopenhauer's response, one Campbell delighted in making his own, was that the immediate reaction and response represented the breakthrough of a metaphysical realization best known as "thou art that." This presupposes, as the German philosopher wrote, his identification with someone not himself, a penetration of the barrier between persons so that the other was no longer perceived as an indifferent stranger but as a person "in whom I suffer, in spite of the fact that his skin does not enfold my nerves."

This fundamental insight, as Schopenhauer continued, reveals that "my own true inner being actually exists in every living creature ... [and] is the ground of compassion (Mitleid) upon which all true, that is to say, unselfish, virtue rests and whose expression is in every good deed." ~Eugene Kennedy, in the Editor's Foreword to Joseph Campbell's Thou Art That: Transforming Religious Metaphor

*********

And so -- it's by our own living that the Deity, the symbol, becomes flesh.

Or so it seems to me.


What beats my heart? 

This wisdom that knows how to beat a heart: 

it beats all hearts. 

It's here right now — birthing in every breath

saying

Let peace begin

with me


Only the change in the attitude of the individual is the beginning of the change in the psychology of the nation. ~CGJUNG (CW7,4, trans, mod.)

Joseph Campbell: Thou Art That

http://www.goodreads.com/work/quotes/314907-thou-art-that-transforming-religious-metaphor

+++++++++
http://themoonsfavors.blogspot.com/2012/09/tat-tvam-asi.html

Tat tvam asi

Joseph Campbell was fond of asking Schopenhauer's question, found in his essay On The Foundations Of Morality: "How is it possible that suffering that is neither my own nor of my concern should immediately affect me as though it were my own, and with such force that it moves me to action? ... This is something really mysterious, something for which Reason can provide no explanation, and for which no basis can be found in practical experience. It is not unknown even to the most hard-hearted and self-interested. Examples appear every day before our eyes of instant responses of the kind, without reflection, one person helping another, coming to his aid, even setting his own life in clear danger for someone whom he has seen for the first time, having nothing more in mind than that the other is in need and in peril of his life..."

Schopenhauer's response, one Campbell delighted in making his own, was that the immediate reaction and response represented the breakthrough of a metaphysical realization best known as "thou art that." This presupposes, as the German philosopher wrote, his identification with someone not himself, a penetration of the barrier between persons so that the other was no longer perceived as an indifferent stranger but as a person "in whom I suffer, in spite of the fact that his skin does not enfold my nerves."

This fundamental insight, as Schopenhauer continued, reveals that "my own true inner being actually exists in every living creature ... [and] is the ground of compassion (Mitleid) upon which all true, that is to say, unselfish, virtue rests and whose expression is in every good deed." ~Eugene Kennedy, in the Editor's Foreword to Joseph Campbell's Thou Art That: Transforming Religious Metaphor

*********

And so -- it's by our own living that the Deity, the symbol, becomes flesh.

Or so it seems to me.


What beats my heart? 

This wisdom that knows how to beat a heart: 

it beats all hearts. 

It's here right now — birthing in every breath

saying

Let peace begin

with me


Only the change in the attitude of the individual is the beginning of the change in the psychology of the nation. ~CGJUNG (CW7,4, trans, mod.)

2012/06/26

Joseph Campbell: Sukhavati

If you know Campbell, you'll love this. If you don't know Campbell, this is a beautiful intro. It's on Netflix now. Go get opened. :) You're needed.

Joseph Campbell: Sukhavati

If you know Campbell, you'll love this. If you don't know Campbell, this is a beautiful intro. It's on Netflix now. Go get opened. :) You're needed.

2012/10/20

Metaphorically Speaking...

Holy Ghost is, was, and was ever feminine. 

Interesting, isn't it, for physics to agree that life comes from matter itself.



“Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.” Joseph Campbell Thou Art That: Transforming Religious Metaphor
“Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end… The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.” Joseph Campbell Thou Art That: Transforming Religious Metaphor

On Sat, Oct 20, 2012 at 11:36 AM, Peter of Lone Tree wrote:
"vajayjays, HRTs, biscuits, Honey Boo Boos...."

I believe we should start praying and begin with:
"In the Name of the Mother,
And of the Daughter,
And of the Sanctified Spirit."

*********
Thread is expanding. read from bottom up:

deb:

 Beautiful. If we would just remember to "open" the words...

On Sat, Oct 20, 2012 at 1:46 PM, Peter of Lone Tree
Even Wikipedia agrees:
"An apocalypse (Ancient Greek: ἀποκάλυψις apocálypsis, from ἀπό and καλύπτω meaning 'un-covering'), translated literally from Greek refers to a revelation of something hidden, although this sense did not enter English until the 14th century."


On Sat, Oct 20, 2012 at 12:31 PM, Deborah Conner wrote:
exactly!

“Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end… The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.” ― Joseph Campbell, Thou Art That: Transforming Religious Metaphor


On Sat, Oct 20, 2012 at 4:32 AM, Barbara wrote:
birthin' pangs... DELIVER US A NEW WORLD MAMA!!   move over honey barf barf

Petey, I sense  a true wtf feel from most folks I run into lately.  Deep down they know something big is coming our way.  The game's almost over and I think more and more will be waking and rising off of that comfy couch and  sliding on in to home base.  I know it's a tough call for a lot of people, but when push comes to shove -- whatever mother earth may throw our way  -- you'll see the 99% taking care of the 99%.   I know and you know that together we are all capable of stopping the machine anytime we want.     GROUP THINK PEOPLE....let's group think ourselves into a cashless society and crowdsource our way out of this mess -- NO CROSSBOWS NECESSARY!

2012/10/20

Metaphorically Speaking...

Holy Ghost is, was, and was ever feminine. 

Interesting, isn't it, for physics to agree that life comes from matter itself.



“Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.” Joseph Campbell Thou Art That: Transforming Religious Metaphor
“Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end… The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.” Joseph Campbell Thou Art That: Transforming Religious Metaphor

On Sat, Oct 20, 2012 at 11:36 AM, Peter of Lone Tree wrote:
"vajayjays, HRTs, biscuits, Honey Boo Boos...."

I believe we should start praying and begin with:
"In the Name of the Mother,
And of the Daughter,
And of the Sanctified Spirit."

*********
Thread is expanding. read from bottom up:

deb:

 Beautiful. If we would just remember to "open" the words...

On Sat, Oct 20, 2012 at 1:46 PM, Peter of Lone Tree
Even Wikipedia agrees:
"An apocalypse (Ancient Greek: ἀποκάλυψις apocálypsis, from ἀπό and καλύπτω meaning 'un-covering'), translated literally from Greek refers to a revelation of something hidden, although this sense did not enter English until the 14th century."


On Sat, Oct 20, 2012 at 12:31 PM, Deborah Conner wrote:
exactly!

“Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end… The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.” ― Joseph Campbell, Thou Art That: Transforming Religious Metaphor


On Sat, Oct 20, 2012 at 4:32 AM, Barbara wrote:
birthin' pangs... DELIVER US A NEW WORLD MAMA!!   move over honey barf barf

Petey, I sense  a true wtf feel from most folks I run into lately.  Deep down they know something big is coming our way.  The game's almost over and I think more and more will be waking and rising off of that comfy couch and  sliding on in to home base.  I know it's a tough call for a lot of people, but when push comes to shove -- whatever mother earth may throw our way  -- you'll see the 99% taking care of the 99%.   I know and you know that together we are all capable of stopping the machine anytime we want.     GROUP THINK PEOPLE....let's group think ourselves into a cashless society and crowdsource our way out of this mess -- NO CROSSBOWS NECESSARY!

2012/09/06

Tat tvam asi

Joseph Campbell was fond of asking Schopenhauer's question, found in his essay On The Foundations Of Morality: "How is it possible that suffering that is neither my own nor of my concern should immediately affect me as though it were my own, and with such force that it moves me to action? ... This is something really mysterious, something for which Reason can provide no explanation, and for which no basis can be found in practical experience. It is not unknown even to the most hard-hearted and self-interested. Examples appear every day before our eyes of instant responses of the kind, without reflection, one person helping another, coming to his aid, even setting his own life in clear danger for someone whom he has seen for the first time, having nothing more in mind than that the other is in need and in peril of his life..." 
Schopenhauer's response, one Campbell delighted in making his own, was that the immediate reaction and response represented the breakthrough of a metaphysical realization best known as "thou art that." This presupposes, as the German philosopher wrote, his identification with someone not himself, a penetration of the barrier between persons so that the other was no longer perceived as an indifferent stranger but as a person "in whom I suffer, in spite of the fact that his skin does not enfold my nerves." 
This fundamental insight, as Schopenhauer continued, reveals that "my own true inner being actually exists in every living creature ... [and] is the ground of compassion (Mitleid) upon which all true, that is to say, unselfish, virtue rests and whose expression is in every good deed."   ~Eugene Kennedy, in the Editor's Foreword to Joseph Campbell's Thou Art That: Transforming Religious Metaphor

*********

And so -- it's by our own living that the Christ, the God, the symbol, the [your theory here] becomes flesh.
Or so it seems to me.



What beats my heart? 

This wisdom that knows how to beat a heart: 

it beats all hearts. 

 It's here right now — birthing in every breath
saying

Let peace begin
with me




Only the change in the attitude of the individual is the beginning of the change in the psychology of the nation. ~CGJUNG (CW7,4, trans, mod.)



2013/03/04

The left hand path

The left hand path


So I have not declared all that appears and is necessary in this work, because there are things of which a man may not speak... Such matters must be transmitted in mystical terms, like poetry employing fables and parables. --Rosarium philosophorum, 16th century alchemical text


Now Christ himself, it can be recalled, issued a like warning to those who would speak of spiritual things: "Do not give dogs what is holy; and do not throw your pearls before swine, lest they trample them underfoot and turn to attack you." And again: "To you," he said to his disciples,"it has been given to know the secrets of the kingdom of God; but for others they are in parables, so that seeing they may not see, and hearing they may not understand." The rose garden of the philosophers, then, is to be entered by the left hand path.

The left hand path is the way, then, of a passage by way of the senses--the eyes, the heart, and spontaneity of the body--to a realization and manifestation "at the still point of the turning world," in act and experience on earth, of the radiance, harmony, bounty and joy of nature.

The left, the side of the heart, the shield side, has been symbolic, traditionally and everywhere, of feeling, mercy and love, vulnerability and defenselessness, the feminine virtues and dangers: mothering and seduction, the tidal powers of the moon and substances of the body, the rhythms of the seasons: gestations, birth, nourishment, and fosterage; yet equally malice and revenge, unreason, dark and terrible wrath, black magic, poisons, sorcery and delusion; but also fair enchantment, beauty, rapture and bliss.

And the right, thereby is of the male: action, weapons, hero-deeds, protection, brute force, and both cruel and benevolent justice; the masculine virtues and dangers: egoism and aggression, lucid luminous reason, sunlike creative power, but also cold unfeeling malice, abstract spirituality, blind courage, theoretical dedication, sober, unplayful moral force.

--Joseph Campbell, Creative Mythology

https://sites.google.com/site/bendersnotessite/Home/whats-what/joseph-campbell

2013/05/15

start here

Without myth every culture loses the healthy natural power of its creativity: only a horizon defined by myths completes and unifies a whole cultural movement. Myth alone saves all the powers of the imagination and of the Apollonian dream from their aimless wanderings. . . ~Nietzsche, Birth of Tragedy


note 6/6: some of these have disappeared from youtube.
the mythos series is available at amazon. mythos 2 is also in text, Transformations Of Myth Through Time.
But Campbell is so much more than the hero path.

I'm always going back to Campbell, picking him up, watching, listening to his work. He doesn't enter my dreams like Jung, but has been a constant teacher, shaping the second half of my life. How to thank him -- for this gift of healing, this expansion of being? This return of lost things?




https://www.youtube.com/watch?v=gN42wfYwuIc&list=PL0mcZSbIleZakP5XEub6fG4Vlo0FQlhBx

more:  at amazon
http://www.amazon.com/Lecture-II-1-3--The-Sound-Kundalini/dp/B005N39VKO/ref=sr_1_1?ie=UTF8&qid=1369174405&sr=8-1&keywords=Lecture+II.1.3+-The+Sound+AUM+and+Kundalini+Yoga


 also -- nice general intro dvd on Mythos: Vol. 2, The Shaping of the Eastern Tradition (2000)

2013/09/23

a fortunate rhythm

CAMPBELL: .......The aesthetic experience is a simple beholding of the object. [James] Joyce says that you put a frame around it and see it first as one thing, and that, in seeing it as one thing, you then become aware of the relationship of part to part, each part to the whole, and the whole to each of its parts. This is the essential, aesthetic factor — rhythm, the harmonious rhythm of relationships. And when a fortunate rhythm has been struck by the artist, you experience a radiance. You are held in aesthetic arrest. That is the epiphany......
[...]
CAMPBELL: Schopenhauer, in his splendid essay called “On an Apparent Intention in the Fate of the Individual,” points out that when you reach an advanced age and look back over your lifetime, it can seem to have had a consistent order and plan, as though composed by some novelist. Events that when they occurred had seemed accidental and of little moment turn out to have been indispensable factors in the composition of a consistent plot. So who composed that plot? Schopenhauer suggests that just as your dreams are composed by an aspect of yourself of which your consciousness is unaware, so, too, your whole life is composed by the will within you. And just as people whom you will have met apparently by mere chance became leading agents in the structuring of your life, so, too, will you have served unknowingly as an agent, giving meaning to the lives of others. The whole thing gears together like one big symphony, with everything unconsciously structuring everything else. And Schopenhauer concludes that it is as though our lives were the features of the one great dream of a single dreamer in which all the dream characters dream, too; so that everything links to everything else, moved by the one will to life which is the universal will in nature.
 Masks of Eternity

a fortunate rhythm

CAMPBELL: .......The aesthetic experience is a simple beholding of the object. [James] Joyce says that you put a frame around it and see it first as one thing, and that, in seeing it as one thing, you then become aware of the relationship of part to part, each part to the whole, and the whole to each of its parts. This is the essential, aesthetic factor — rhythm, the harmonious rhythm of relationships. And when a fortunate rhythm has been struck by the artist, you experience a radiance. You are held in aesthetic arrest. That is the epiphany......
[...]
CAMPBELL: Schopenhauer, in his splendid essay called “On an Apparent Intention in the Fate of the Individual,” points out that when you reach an advanced age and look back over your lifetime, it can seem to have had a consistent order and plan, as though composed by some novelist. Events that when they occurred had seemed accidental and of little moment turn out to have been indispensable factors in the composition of a consistent plot. So who composed that plot? Schopenhauer suggests that just as your dreams are composed by an aspect of yourself of which your consciousness is unaware, so, too, your whole life is composed by the will within you. And just as people whom you will have met apparently by mere chance became leading agents in the structuring of your life, so, too, will you have served unknowingly as an agent, giving meaning to the lives of others. The whole thing gears together like one big symphony, with everything unconsciously structuring everything else. And Schopenhauer concludes that it is as though our lives were the features of the one great dream of a single dreamer in which all the dream characters dream, too; so that everything links to everything else, moved by the one will to life which is the universal will in nature.
 Masks of Eternity

2013/05/15

start here

Without myth every culture loses the healthy natural power of its creativity: only a horizon defined by myths completes and unifies a whole cultural movement. Myth alone saves all the powers of the imagination and of the Apollonian dream from their aimless wanderings. . . ~Nietzsche, Birth of Tragedy


note 6/6: some of these have disappeared from youtube.
the mythos series is available at amazon. mythos 2 is also in text, Transformations Of Myth Through Time.
But Campbell is so much more than the hero path.

I'm always going back to Campbell, picking him up, watching, listening to his work. He doesn't enter my dreams like Jung, but has been a constant teacher, shaping the second half of my life. How to thank him -- for this gift of healing, this expansion of being? This return of lost things?




https://www.youtube.com/watch?v=gN42wfYwuIc&list=PL0mcZSbIleZakP5XEub6fG4Vlo0FQlhBx

more:  at amazon
http://www.amazon.com/Lecture-II-1-3--The-Sound-Kundalini/dp/B005N39VKO/ref=sr_1_1?ie=UTF8&qid=1369174405&sr=8-1&keywords=Lecture+II.1.3+-The+Sound+AUM+and+Kundalini+Yoga


 also -- nice general intro dvd on Mythos: Vol. 2, The Shaping of the Eastern Tradition (2000)

2013/03/04

The left hand path

The left hand path


So I have not declared all that appears and is necessary in this work, because there are things of which a man may not speak... Such matters must be transmitted in mystical terms, like poetry employing fables and parables. --Rosarium philosophorum, 16th century alchemical text


Now Christ himself, it can be recalled, issued a like warning to those who would speak of spiritual things: "Do not give dogs what is holy; and do not throw your pearls before swine, lest they trample them underfoot and turn to attack you." And again: "To you," he said to his disciples,"it has been given to know the secrets of the kingdom of God; but for others they are in parables, so that seeing they may not see, and hearing they may not understand." The rose garden of the philosophers, then, is to be entered by the left hand path.

The left hand path is the way, then, of a passage by way of the senses--the eyes, the heart, and spontaneity of the body--to a realization and manifestation "at the still point of the turning world," in act and experience on earth, of the radiance, harmony, bounty and joy of nature.

The left, the side of the heart, the shield side, has been symbolic, traditionally and everywhere, of feeling, mercy and love, vulnerability and defenselessness, the feminine virtues and dangers: mothering and seduction, the tidal powers of the moon and substances of the body, the rhythms of the seasons: gestations, birth, nourishment, and fosterage; yet equally malice and revenge, unreason, dark and terrible wrath, black magic, poisons, sorcery and delusion; but also fair enchantment, beauty, rapture and bliss.

And the right, thereby is of the male: action, weapons, hero-deeds, protection, brute force, and both cruel and benevolent justice; the masculine virtues and dangers: egoism and aggression, lucid luminous reason, sunlike creative power, but also cold unfeeling malice, abstract spirituality, blind courage, theoretical dedication, sober, unplayful moral force.

--Joseph Campbell, Creative Mythology

https://sites.google.com/site/bendersnotessite/Home/whats-what/joseph-campbell

2012/07/13

As in a wheel in even motion driven




Within a single volume, bounded by love

I saw the scattered leaves of all the universe—

Substance and accidents, and their relations,

As though together fused in such a way

That what I speak of is a single light.

The universal form of this commingling

I think I saw, for when I tell of it

My heart rejoice so much the more...

How powerless is speech— how weak, compared
To my conception, which itself is trifling
Beside the mighty vision that I saw!
O Light Eternal, in Thyself contained!
Thou only know Thyself, and in Thyself
Both known and knowing, smile on Thyself!
That very circle which appeared in Thee,
Conceived as but reflection of a light,
When I had gazed on it awhile, now seemed
To bear the image of a human face
Within itself, of its own coloring—
Wherefore my sight was wholly fixed on it.
Like a geometer, who will attempt
With all his power and mind to square the circle
Yet cannot find the principle he needs:
Just so was I, at that phenomenon.
I wished to see how image joined to ring,
And how the one found place within the other.
Too feeble for such flights were my own wings;
But by a lightning flash my mind was struck—
And thus came the fulfilment of my wish.
My power now failed that phantasy sublime;
My will and my desire were both revolved,
As in a wheel in even motion driven,
By Love, which moves the sun and other stars.
"L'amor che muove il sole e  l'altre stelle"



Kundalini and the Chakras
Excerpts from ‘The Mythic Image’ By: Joseph Campbell


The mind is likened to the surface of a pond rippled by wind…. The idea of yoga is to cause that wind to subside and let the waters return to rest. For when a wind blows and waters stir, the waves break and distort both the light and its reflections, so that all that can be seen are colliding broken forms. Not until the waters will have been stilled, cleansed of stirred-up sediment and made mirror-bright, will the one reflected image appear that on the rippling waves had been broken, that of the clouds and pure sky above, the trees along the shore, and down deep in the still, pure water itself, the sandy bottom and the fish. Then alone will that single image be known of which the wave-borne reflections are but fragments and distortions. And this single image can be likened to that of the Self realised in yoga. It is the Ultimate – the Form of forms – of which the phenomena of this world are but imperfectly seen, ephemeral distortions: the God-form, the Buddha-form, which is truly our own knowledge-form, and with which it is the goal of yoga to unite us.

[Kundalini]… the figure of a coiled female serpent – a serpent goddess not of “gross” but of “subtle” substance – which is to be thought of as residing in a torpid, slumbering state in a subtle centre, the first of seven, near the base of the spine. The aim of the yoga then being to rouse this serpent, lift her head, and bring her up a subtle nerve or channel of the spine to the so-called “thousand-petalled lotus” (sahasrara) at the crown of the head…. She, rising from the lowest to the highest lotus centre, will pass through and wake the five between; and with each waking the psychology and personality of the practitioner will be altogether and fundamentally transformed.

Chakra 1, [RED], Muladhara, the “Root Support”, is located at the base of the spine. The world-view is of uninspired materialism, governed by ‘hard facts’… and the psychology, adequately described in behaviouristic terms, is reactive, not active. There is on this plane no zeal for life, no explicit impulse to expand. There is simply a lethargic avidity in hanging on to existence; and it is this grim grip that must finally be broken so that the spirit may be quit of its dull zeal simply to be….

The first task of the yogi then must be to break at this level the cold dragon grip of his own spiritual lethargy. And to release the jewel-maid, his own shakti, for ascent to those higher spheres where she will become his spiritual teacher and guide to the bliss of an immortal life beyond sleep.

Chakra 2, [ORANGE], Svadhisthana, “Her Special Abode”, is at the level of the genitals. When the Kundalini is active at this level, the whole aim of life is in sex. Not only is every thought and act sexually motivated, either as a means toward sexual ends or as a compensating sublimation of frustrated sexual zeal, but everything seen and heard is interpreted compulsively, both consciously and unconsciously, as symbolic of sexual themes. Psychic energy, that is to say, has the character here of the Freudian libido. Myths, deities, and religious rites are understood and experienced in sexual terms.

Chakra 3, [YELLOW], Manipura, “City of the Shining Jewel”, is located at the level of the navel. Here the energy turns to violence and its aim is to consume, to master, to turn the world into oneself and one’s own. The appropriate Occidental psychology would be Adlerian of the “will to power”: for now even sex becomes an occasion, not of erotic experience, but of achievement, conquest, self-reassurance, and frequently, also, revenge.

All three of these lower chakras are of the modes of man’s living in the world in his naive state, outward turned: the modes of the lovers, the fighters, the builders, the accomplishers. Joys and sorrows on these levels are functions of achievements in the world “out there”, what people think of one, what has been gained, what lost. [These chakra energies are those that we share with the animals. Editor.] A religion operating only on these levels, having little or nothing to do with the fostering of inward, mystical realisations, would hardly merit the name of religion at all. It would be little more than an adjunct to police authority, offering in addition to ethical rules and advice intangible consolations for life’s losses and a promise of future rewards for social duties fulfilled.

Chakra 4, [GREEN], Anahata, meaning “not hit”, is at the level of the heart. It is the beginning of the religious life, the awakening where the new life begins, and its name refers to the sound that is not made by any two things striking together. All sounds that we hear are actually made by two things striking together. It is the sound of the energy of which the universe is a manifestation.

The heart chakra, then is the opening of the spiritual dimension: all is metaphoric of the mystery… When you reach the upper chakras, you don’t do without the first three: survival, sex and power. You don’t destroy the first three floors of a building when you get to the fourth.

Chakra 5, [BLUE], Vishuddha, “Purified”, is at the level of the larynx [throat]. This is the chakra of spiritual effort to hold back the animal system from which the energies come. One has gone through the lower chakras to get to here, but the pelvic chakras have not been rejected. They now have to be turned to a spiritual, rather that physical, aim.

Chakra 6, [INDIGO or PURPLE], Ajna, the lotus of “Command”, located between the eyebrows, is what we would call the chakra of heaven, the highest chakra in the world of incarnate forms… When the Kundalini has reached this point, one beholds God. Any god you have been meditating on or have been taught to revere is the god that will be seen here. This is the highest obstacle for the complete yogi… Meister Eckhart said, “The ultimate leave-taking is the leaving of God for God.”… At Chakra 7, you go past God and are in the transcendent: “Brahman without characteristics”. [The impersonal God, or Great Mystery. Ed.]

Chakra 7, [VIOLET or WHITE], Sahasrara, “Thousand Petalled”, is the lotus at the crown of the head. At this chakra there is no person to be conscious of God. There is only undifferentiated consciousness: the silence [out of which all life comes and returns]. When you hit Chakra 7, you are inert. It is a catatonic knockout, you might say, and you are reduced simply to a thing.

Now as I see it, if you come back down to the heart, to Chakra 4, where spiritual life begins, subject and object are together. Chakra 1 corresponds to 7. The inertia from Chakra 1 sets in when you have hit Chakra 7. Chakra 2 corresponds to 6. Chakra 3 corresponds to 5. You are then able to take the war energy from Chakra 3 and practice self control in Chakra 5. So you can bend things at Chakra 4.

For example, through the experiences of Chakra 2, if they are of love, you are really experiencing the grace of God in Chakra 6. You transmute the lust energy of Chakra 2 into love. If there has been no experience of the discipline of Chakra 5, you’ll never get an inkling of what it is you are to be experiencing through the physical [act]. If in your physical love, you can realise that what you are touching is the grace of the divine in its proper form for you, this is a translation of carnal adventure into the spiritual, without the loss of the carnal. The two are together. You are then beholding the god as in Chakra 6 and experiencing the beloved as a manifestation of that divine power, that love which informs the world.

Joseph Campbell
Transformations of Myth Through Time

Joseph Campbell: Mythos II

*********

And the same journey one makes through the stars, as in Ficino & Bruno.

As in a wheel in even motion driven




Within a single volume, bounded by love

I saw the scattered leaves of all the universe—

Substance and accidents, and their relations,

As though together fused in such a way

That what I speak of is a single light.

The universal form of this commingling

I think I saw, for when I tell of it

My heart rejoice so much the more...

How powerless is speech— how weak, compared
To my conception, which itself is trifling
Beside the mighty vision that I saw!
O Light Eternal, in Thyself contained!
Thou only know Thyself, and in Thyself
Both known and knowing, smile on Thyself!
That very circle which appeared in Thee,
Conceived as but reflection of a light,
When I had gazed on it awhile, now seemed
To bear the image of a human face
Within itself, of its own coloring—
Wherefore my sight was wholly fixed on it.
Like a geometer, who will attempt
With all his power and mind to square the circle
Yet cannot find the principle he needs:
Just so was I, at that phenomenon.
I wished to see how image joined to ring,
And how the one found place within the other.
Too feeble for such flights were my own wings;
But by a lightning flash my mind was struck—
And thus came the fulfilment of my wish.
My power now failed that phantasy sublime;
My will and my desire were both revolved,
As in a wheel in even motion driven,
By Love, which moves the sun and other stars.
"L'amor che muove il sole e  l'altre stelle"



Kundalini and the Chakras
Excerpts from ‘The Mythic Image’ By: Joseph Campbell


The mind is likened to the surface of a pond rippled by wind…. The idea of yoga is to cause that wind to subside and let the waters return to rest. For when a wind blows and waters stir, the waves break and distort both the light and its reflections, so that all that can be seen are colliding broken forms. Not until the waters will have been stilled, cleansed of stirred-up sediment and made mirror-bright, will the one reflected image appear that on the rippling waves had been broken, that of the clouds and pure sky above, the trees along the shore, and down deep in the still, pure water itself, the sandy bottom and the fish. Then alone will that single image be known of which the wave-borne reflections are but fragments and distortions. And this single image can be likened to that of the Self realised in yoga. It is the Ultimate – the Form of forms – of which the phenomena of this world are but imperfectly seen, ephemeral distortions: the God-form, the Buddha-form, which is truly our own knowledge-form, and with which it is the goal of yoga to unite us.

[Kundalini]… the figure of a coiled female serpent – a serpent goddess not of “gross” but of “subtle” substance – which is to be thought of as residing in a torpid, slumbering state in a subtle centre, the first of seven, near the base of the spine. The aim of the yoga then being to rouse this serpent, lift her head, and bring her up a subtle nerve or channel of the spine to the so-called “thousand-petalled lotus” (sahasrara) at the crown of the head…. She, rising from the lowest to the highest lotus centre, will pass through and wake the five between; and with each waking the psychology and personality of the practitioner will be altogether and fundamentally transformed.

Chakra 1, [RED], Muladhara, the “Root Support”, is located at the base of the spine. The world-view is of uninspired materialism, governed by ‘hard facts’… and the psychology, adequately described in behaviouristic terms, is reactive, not active. There is on this plane no zeal for life, no explicit impulse to expand. There is simply a lethargic avidity in hanging on to existence; and it is this grim grip that must finally be broken so that the spirit may be quit of its dull zeal simply to be….

The first task of the yogi then must be to break at this level the cold dragon grip of his own spiritual lethargy. And to release the jewel-maid, his own shakti, for ascent to those higher spheres where she will become his spiritual teacher and guide to the bliss of an immortal life beyond sleep.

Chakra 2, [ORANGE], Svadhisthana, “Her Special Abode”, is at the level of the genitals. When the Kundalini is active at this level, the whole aim of life is in sex. Not only is every thought and act sexually motivated, either as a means toward sexual ends or as a compensating sublimation of frustrated sexual zeal, but everything seen and heard is interpreted compulsively, both consciously and unconsciously, as symbolic of sexual themes. Psychic energy, that is to say, has the character here of the Freudian libido. Myths, deities, and religious rites are understood and experienced in sexual terms.

Chakra 3, [YELLOW], Manipura, “City of the Shining Jewel”, is located at the level of the navel. Here the energy turns to violence and its aim is to consume, to master, to turn the world into oneself and one’s own. The appropriate Occidental psychology would be Adlerian of the “will to power”: for now even sex becomes an occasion, not of erotic experience, but of achievement, conquest, self-reassurance, and frequently, also, revenge.

All three of these lower chakras are of the modes of man’s living in the world in his naive state, outward turned: the modes of the lovers, the fighters, the builders, the accomplishers. Joys and sorrows on these levels are functions of achievements in the world “out there”, what people think of one, what has been gained, what lost. [These chakra energies are those that we share with the animals. Editor.] A religion operating only on these levels, having little or nothing to do with the fostering of inward, mystical realisations, would hardly merit the name of religion at all. It would be little more than an adjunct to police authority, offering in addition to ethical rules and advice intangible consolations for life’s losses and a promise of future rewards for social duties fulfilled.

Chakra 4, [GREEN], Anahata, meaning “not hit”, is at the level of the heart. It is the beginning of the religious life, the awakening where the new life begins, and its name refers to the sound that is not made by any two things striking together. All sounds that we hear are actually made by two things striking together. It is the sound of the energy of which the universe is a manifestation.

The heart chakra, then is the opening of the spiritual dimension: all is metaphoric of the mystery… When you reach the upper chakras, you don’t do without the first three: survival, sex and power. You don’t destroy the first three floors of a building when you get to the fourth.

Chakra 5, [BLUE], Vishuddha, “Purified”, is at the level of the larynx [throat]. This is the chakra of spiritual effort to hold back the animal system from which the energies come. One has gone through the lower chakras to get to here, but the pelvic chakras have not been rejected. They now have to be turned to a spiritual, rather that physical, aim.

Chakra 6, [INDIGO or PURPLE], Ajna, the lotus of “Command”, located between the eyebrows, is what we would call the chakra of heaven, the highest chakra in the world of incarnate forms… When the Kundalini has reached this point, one beholds God. Any god you have been meditating on or have been taught to revere is the god that will be seen here. This is the highest obstacle for the complete yogi… Meister Eckhart said, “The ultimate leave-taking is the leaving of God for God.”… At Chakra 7, you go past God and are in the transcendent: “Brahman without characteristics”. [The impersonal God, or Great Mystery. Ed.]

Chakra 7, [VIOLET or WHITE], Sahasrara, “Thousand Petalled”, is the lotus at the crown of the head. At this chakra there is no person to be conscious of God. There is only undifferentiated consciousness: the silence [out of which all life comes and returns]. When you hit Chakra 7, you are inert. It is a catatonic knockout, you might say, and you are reduced simply to a thing.

Now as I see it, if you come back down to the heart, to Chakra 4, where spiritual life begins, subject and object are together. Chakra 1 corresponds to 7. The inertia from Chakra 1 sets in when you have hit Chakra 7. Chakra 2 corresponds to 6. Chakra 3 corresponds to 5. You are then able to take the war energy from Chakra 3 and practice self control in Chakra 5. So you can bend things at Chakra 4.

For example, through the experiences of Chakra 2, if they are of love, you are really experiencing the grace of God in Chakra 6. You transmute the lust energy of Chakra 2 into love. If there has been no experience of the discipline of Chakra 5, you’ll never get an inkling of what it is you are to be experiencing through the physical [act]. If in your physical love, you can realise that what you are touching is the grace of the divine in its proper form for you, this is a translation of carnal adventure into the spiritual, without the loss of the carnal. The two are together. You are then beholding the god as in Chakra 6 and experiencing the beloved as a manifestation of that divine power, that love which informs the world.

Joseph Campbell
Transformations of Myth Through Time

Joseph Campbell: Mythos II

*********

And the same journey one makes through the stars, as in Ficino & Bruno.